As a voyeur, the underground work of Andy Warhol breaks traditional cinema with a sense of aestheticism. However, his eye could have been so focused upon a glamorous mise-en-scene and exterior that he became far removed from the depth within a piece, exemplified by the 1972 Heat, directed by Paul Morrissey. The way in which the dialogue was improvised by actors in one-take due a tight budget created an on-screen panic, resulting in a farcical chaos from my perspective. For example,